Although curiosity and determination motivated him to master the basics, meticulous training and discipline combined with the desire to create an impact made Johannes into the world-class para-sprinter he is today.

As he navigates the road ahead, Johannes wants to change public perceptions of prosthetics, drive discussions within and beyond the Paralympic community and help keep the next generation on track.

Co-creators Marc Brew and Giselle Calazans performing in Uchronia, at the Liberty Festival, Queen Elizabeth Olympic Park, London, in 2016

It was really exciting landing in Seoul airport and seeing the mascots for the PyeongChang 2018 Winter Olympic and Paralympics as this performance will be one of the closing performances of UK/Korea 2017-18 in association with the PyeongChang 2018 Winter Olympic and Paralympic Cultural Olympiad program.

We visited Seoul from the 25th September – 1st October, arriving after an overnight flight to meet with the team and talk about how the project would develop. The team is made up of UK and Korean artists, with the UK team including composer Angus MacRae and audio describer Emma Jane McHenry.

Audio description is a new thing for South Korea, so we will be working closely with the British Council to try to secure the technology to allow this to happen. We are very excited about the proposed support from Samsung Electronics, who have offered VR (Virtual Reality) headsets with a specialised application called Relumino that enhances the visual experience of watching a show for people with visual impairments. We will also offer an access tour an hour before the show to allow audiences a close-up experience to get a sense of the costumes, props, lighting and movement qualities of the performers and to learn a bit more about the production. We always aim to make our work as accessible as possible for audiences with disabilities.

We had a day off on Tuesday, as there was no rehearsal space available, so had the chance to explore Seoul finding out a bit more about its rich history and culture.

Bora Kim and I began work in the studio the next day. After an initial discussion about our normal working practices, we decided to wipe the slate clean and explore new ways of creating. Bora came up with the idea of asking each other questions that we weren’t allowed to answer, then choosing three questions to answer, and building stories about each other, before exploring these ideas in our own bodies. Throughout the week, we started to develop and understanding of each other’s movement styles and sense of humour.

I felt there was an honest exchange, respect and interest in what we could learn and share from each other that really excited me. The artistic quality of work in the contemporary dance sector in Korea is high and there is a real curiosity in the field around dance, identity and disability.

Brew in his solo performance piece, For Now, I am…

Thanks to Korea Disability Arts & Culture Center and the IEUM Arts Centre which hosted the rehearsals and to the British Council team who supported us during the week.

It was also great to immerse ourselves into the Korean cuisine with our lovely hosts at the British Council and experience the hustle and bustle of the city streets, the subway and the people of Seoul – a very busy and vibrant city. I look forward to coming back next year to finish the project and perform.

*The views expressed in this editorial are the author’s own, and do not necessarily reflect the official opinion of Samsung Electronics.